Late Bloomer
Here's an amazing story my dad sent to me about a 40-year-old dramatic soprano making her Metropolitan Opera debut (Stepping Onstage as a Waitress, She May Exit the Met as a Star).
Erika Sunnegardh will appear in the title role of Beethoven's "Fidelio," subbing for the lead. She's been a waitress for 20 years, and a church cantor:
"The humbleness of waiting on tables, she said, prepared her to deal with the pressure of a big career. Singing at funerals taught her that musical performance was not a celebration of the ego but something to be transmitted to other individuals. Years of struggle freed her from the debilitating fear of failure."
'It's an interesting life, but I am so ridiculously and gleefully happy and blessed,' Ms. Sunnegardh said. 'There's something to be said for running into the wall. Falling down and picking yourself up is great life experience.'
Ms. Sunnegardh's career was delayed despite an impeccable musical pedigree. Both parents were prominent voice teachers in Sweden, and a half-brother is a tenor. Her father, Arne, was the last teacher of Birgit Nilsson, the legendary Swedish soprano, and a touring accompanist for the tenor Jussi Bjoerling, another great. She had superb training in Stockholm, attending a choir school and studying modern dance."
I would really like to hear her voice, as there are many mentions of her long training and how certain qualities eluded her as a singer until she turned to her mother and another teacher and was able to apply their expertise.


5 Comments:
I'm sure you'd find her homepage interesting -- she blogs too. It's at http://www.erikasunnegardh.com, naturally. (The A in Sunnegardh, incidentally, is a Swedish A with a circle on top, which is pronounced "oh." So her name would really sound like "Soo-neh-gord." And you can actually hear two short examples of her voice at the Capstone Records website, http://www.capstonerecords.org/CPS-8703.html. Or did you have an opportunity to tune in to the Metropolitan Opera broadcast today, when we could have heard her in her much heralded national debut as a principal?
I'm sure you'd find her homepage interesting -- she blogs too. It's at http://www.erikasunnegardh.com, naturally. (The A in Sunnegardh, incidentally, is a Swedish A with a circle on top, which is pronounced "oh." So her name would really sound like "Soo-neh-gord." And you can actually hear two short examples of her voice at the Capstone Records website, http://www.capstonerecords.org/CPS-8703.html. Or did you have an opportunity to tune in to the Metropolitan Opera broadcast today, when we could have heard her in her much heralded national debut as a principal?
This woman rocks! What a great mindset she has! Her thoughts are deep, and I identify with much of what she says. Very, very inspiring.
I was thinking recently that I hadn't heard or found things that inspired me deeply. I have plenty of ideas, but no sense of wonder and admiration that makes me say "THAT's what I want to do next." Instead, I've been in a fog of transition and activity the past few months. In the last 7 days, I've encountered several artists and writings that give me new strength and hint at new colors and concepts to be absorbed; new heights to be attained. Interesting that it should happen now, as birth nears. Will this birth be like the last one, a birth of a new me as well as of a new child?
Triumphant followup --with a twist of lemon:
http://www.nytimes.com/2006/04/02/nyregion/02erika.html?_r=1&oref=slogin
http://www.nytimes.com/2006/04/02/arts/music/02met.html
Ah, critics.
Her voice is lovely--I want to hear more. The New York Times review is not terrible, just sort of wait-and-see. Funny thing, on the record company page where she sings several sonnets, there's a review that ends like this:
"Erika Sunnegardh's voice is big and vivid—perhaps too much so for some of these spare, understated songs—but she makes a strong case for them overall."
I would have left that part off. When I first read it I wondered why people feel the need to damn others with faint praise. Although on re-reading it it doesn't seem as bad.
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