Monday, November 26, 2007

Hello, Is It Time to Freak Out Yet?

Whooo boy do I have a week ahead of me! I have been taking a dance class that culminates in a performance on December 9, and while you may envision me leaping across the stage like a gazelle, in fact I will be desperately counting "un dos tres, cinco seis siete" and hoping I don't do that thing that my husband says Americans do, which is robotically coordinate my arms and legs to extend simultaneously on one side and then the other. No, I'm not that bad, but as I discovered during a semi-dress rehearsal last night, I'm not that good either. And I clocked my partner in the mouth with my elbow during a turn (I wasn't the only one who did that). So the entire class will be cramming this week.

The advanced class was amazing to watch, and my fantasy of joining them next semester was punctured by the reality that we hadn't mastered much, much simpler choreography. "I feel bad for the advanced class--they must be so intimidated by us," I joked to the other women backstage. "Yeah, I saw one of them crying because we're so good," another responded sarcastically.

But, on top of that, a film crew is coming over tomorrow to videotape me in my natural habitat while composing, practicing, playing six percussion instruments simultaneously and being irresistibly engaging in conversation (I think a videotape of me sitting in front of the computer for hours, while accurate, would be disappointing). What's my priority? Do I practice? Do I clean the house? How badly does it stink in here and will that affect the camera operators?

On top of that, I have a gig Friday with a cover band I auditioned for last month, and I have to learn eight songs, ranging from Shakira and Selena to Celia Cruz, each one packed with lyrics. So we've been doing it as a family, with the boys and my husband playing percussion and screaming while I sing, in order to duplicate performance conditions. No, really that's just because they are always shaking things and screaming. My guys: Very in touch with their inner gorilla. Growing up I lived in the loudest house on the block, and it appears that I am still living in the loudest house on the block.

On top of that, I have two dance rehearsals and on Saturday another gig with my drummer but two other musicians I don't know so I have to compose a set list that will be pleasing to the clients but not too difficult (though I know these are good musicians).

On top of that, I am trying to get my festival press kits in the mail this week.

OK. Bye.

Sunday, November 25, 2007

Scott Joplin, Born November 24th

I saw this post (thanks to Bobby Sanabria) about my hero, Scott Joplin, in an online musicians' group. My grandfather was apparently a great pianist. My dad inherited the hands but not the technique. Thanks to The Sting, my dad bought an "easy piano" version of several rags used in the movie. I learned to play them and my love for rags has persisted to this day (my favorites are Bethena and Solace: A Mexican Serenade). I hope someday I can approach some sort of ragtime semi-virtuosity--who knows? I need to practice more!

Scott Joplin was born on November 24, 1868. He was an
African-American composer and pianist, one of the most
important developers of ragtime music.

Born in Texarkana, Texas, Joplin taught himself piano
as a child, learning classical music from a German
neighbor. In his teens he became an itinerant pianist
in the low-life districts that provided the chief
employment for black musicians. He settled in St.
Louis in 1885. In 1893 he played at the World's
Colombian Exposition in Chicago, and in 1894 he moved
to Sedalia, Missouri.

There he published his "Original Rags" and "Maple Leaf
Rag" and opened a teaching studio. Scott Joplin moved
to New York City in 1907 and four years later at his
own expense, he published his ragtime opera
Treemonisha, a work intended to go beyond ragtime to
create an indigenous black American opera. Staged in a
concert version in 1915, it failed with the audience,
leaving the composer's spirit permanently broken.

Joplin's music underwent a great revival after some of
his compositions, including "The Entertainer" , were
used as the background music in the film The Sting and
Treemonisha was staged with great success in 1975 by
the Houston Grand Opera. He died in 1917.

Reference:
Africana The Encyclopedia of the African and
African American Experience
Editors: Kwame Anthony Appiah and Henry Louis Gates
Jr.
Copyright 1999
ISBN 0-465-0071-1

Friday, November 23, 2007

Why I Am Thankful for Oakland

Thanksgiving last night was way far away in a brand-new, half-built suburb where some of my family lives. I'm glad my siblings and parents have moved around so much while I've stayed put, because it's given me a chance to see many beautiful parts of California I would otherwise be ignorant of. On the other hand, last night's conversation turned to the inevitable Oakland-bashing, with comments about me having to duck gunfire (not true, though New Year's Eve is a good time to stay indoors--you can hear automatics going off, and the bullets have to come down somewhere) and having my cars stolen (true--three times last year, and my car battery was stolen on Sunday in broad daylight in front of BART).

OK, you may have read recently that our property crime is up--way up. But my beat officer also said how woefully understaffed our police force is for a city our size. We're trying to fix it, but money isn't the only problem--there is a shortage of candidates right now. I think the idea of hiring police technicians to take low-priority reports is worthwhile.

In the meantime, I left Thanksgiving with a sour taste in my mouth. "Why don't you sell your massively overpriced house and move up here to be close to family," my brother said. "Hey bro, I didn't move away from my family, my family moved away from me," I pointed out. And, as amply documented, I simply do not leave places, jobs or people. Even if I get rich as a musician, and that is my plan for 2008 :-), I will never sell this house.

Therefore, for no one's edification but my own, I thought I would list the ways I adore Oakland:

1. The weather. Best in the nation. Most year-long sunlight of any Bay Area city, and no fog. My garden is proof. I can grow anything from cactus to fern to ficus, outdoors!

2. The hills. So beautiful, and unlike Berkeley or San Francisco, no mentally ill homeless people are living in them. East Bay Regional Park Service is the best! Five minutes from home, I can be running on a sunny, grassy trail with my dogs, completely alone. The redwoods, the forget-me-nots, the poppies, the maidenhair ferns, the hawks and crows and foxes and mountain lions and turkeys and owls and bats (at dusk) are plentiful, too.

3. The architecture. California bungalows, Craftsman, Normandy, Victorian, Art-Deco and modern buildings abound. I find these brand-new cities with their big-box strip-mall retail so boring! And what are these people going to do without cars when the oil runs out?

4. The culture. This is huge. As a musician I can't imagine being anywhere else, unless it was a music city (Los Angeles, Austin, Seattle, New Orleans, Nashville or New York). Having played Sacramento a lot this year, I've heard directly from those musicians that a) you can count on one hand the qualified players on each instrument there and b) they all drive to the San Francisco Bay for gigs.

5. The diversity. There's a reason Silicon Valley is here. Studies have found that areas with a high "Bohemian index" (intellectuals, artists, entrepreneurs, gay communities, ethnic minorities and immigrants) have extremely high rates of innovation and business growth. We are mecca for the country and the world's best minds. You can feel that spirit in the air, even on the grubbiest street. There may be misery, injustice and poverty, but there's never that soulless, Dust Bowl sense of abandonment. There is life here, exploding in every direction.

6. The size. Oakland is just the right size. Not too big, not too small. The first time I went to New York City, the shocking population density and noise left me reeling, though it was exciting. Coming home, I realized that San Francisco is still in many ways a kitschy little boom town.

7. The pace. Life is relaxed here. I can go to school to pick up my son in workout clothes or dressed up for a business meeting. No dress code is enforced. People understand you may look chic one day and like you were cleaning the garage the next. The hair on your head can lead a simple life following its natural growth tendencies. If you want African braids, this is a good place to get them. Plastic surgery doesn't appear to be common, whereas my sister-in-law in the fancy suburb knows all sorts of boob-, butt- and face-job customers (she herself isn't one of them, of course).

8. The resources. I have everything worked out here. Where to get copies made. Where to buy books, where to buy music, where to buy clothes, where to browse. Where to take dance classes, from salsa and rueda de casino to modern and ballet. The museums and zoo (the brand new Valley Children's Zoo is spectacular). The wonderful public school my son attends. The super-well-stocked libraries, thanks to constant pleas for more money. We have so much space here for in-fill development too. I hope someone passes a law that says, OK, that's it, no more new construction in our hills. If you want something fancy, tear something else down and build it there.

9. The tolerance. A recent report showed that while hate crimes have climbed in other cities around the country, hate crimes in Oakland have dropped dramatically. And the jewel of tolerance? Our gorgeous Lake Merritt, where people from every part of the world can be seen strolling or jogging or rowing around the nation's first bird sanctuary, next to Children's Fairyland, which inspired Walt Disney to build his Southern California enterprise.

10. The history. As my dad wrote in his great book, Oakland: Hub of the West, the peaceful Ohlones, towering redwoods and marauding grizzly bears were no match for the 49ers and their guns and lumber mills. Waves of immigration have shaped Oakland continuously, from the Chinese railroad track layers to the African American ship builders to the Latin Americans (with a recent boom of Guatemalan Indians). If you look closely you can imagine the Oakland that once was. Before we bought our house, we made an offer on a house nearby built in 1910. The sisters who were selling it had been born there. They told me that when they were growing up, the hills were bare. Orchards once dotted the Fruitvale neighborhood, but today the names of Spanish landowners persist on our streets. And cows still graze in our hills. I hope this beautiful mix of city and country will still be here for my boys and their children.

Wednesday, November 21, 2007

How Do You Sell Your Art?

The following letter, ostensibly from pianist/author/guru Kenny Werner, has caused some heated debate in jazz musician circles recently:

Hello Friends,

Please indulge me as I am making a personal
appeal here. This year, I have made strides in my career. I've
been very fortunate in my work. I know that I am
doing very well in comparative terms. I play the music I
want to play. All that I play honors me and my creativity.

There is nothing I have to do just for the money.
But there is a level that I am working my whole
life to achieve. It's not about fame, it's only a
little about fortune, at least enough fortune to be able to stay
home and be with my wife and compose if I want to. No,
it's more about access. Access to the clubs, concert
halls, festivals, compositional commissions, etc.

Projects that actually reach people, where the word gets out
that you've actually created something.
I'm not far from that. But it's like the joke, 'Watch
out for that last step, it's a doozy!'
It is very hard to move up from station to station
to the kind of work you've always wanted to do, thatyou
felt you should do. Along the way there are little
openings, little possibilities.

One upward move happened this year when I finally
recorded for Blue Note Records. This is the Mecca of jazz
music, and perhaps the only company left where they do the
complete job. I have been so gratified to be there, and I
made for them what I think is one of my best CDs ever. It's
called 'Lawn Chair Society.' It has gotten such respect in so many
places. I set out to do something really special and I think
I have. But even if you record God's favorite recording of all
time, we are all still subject to a little thing in
our culture called the bottom line.
As much as Blue Note loves what I did, they are subjected to
scrutiny from larger forces that control their destiny.

Therefore I am calling out to all my friends: I know
that there are at least 90,000 people out there
who've read Effortless Mastery.
Many of you have written me and told me that the
book changed your life. I know that many people have

had similar experiences at one of my performances.
I have been gratified to know that I've helped your
life in some way. But now I need your help. If my
book changed your life, or significantly improved it, if
one of my concerts greatly enriched you and you never forgot
it, if I have taught you and my teaching was a major help
towards reaching your goals musically and otherwise,
to all those out there who have good feelings towards
me.

Please buy Lawn Chair Society.
And for those of you that qualify for the above
statement who belong to NARAS, the Recording Academy and
therefore have a vote for the Grammys,
Please vote for me after you've heard the CD. I am
listed in best jazz instrumental solo for my tune,
The 13th Day. And I am there for best jazz
instrumental album.

If one or both of these things are achieved, sales or
awards, I will have a strong case for doing my next
Blue Note CD, which has been a big step forward in my
career. All that said, I wouldn't ask this if I didn't feel
it's one of the best things I've ever done. But you'll have to
be the judge of that.
That will be a great help to me and you will all be
the producers of my next effort.

Thanks so much for reading this...Kenny Werner
So, the question is, is Werner out of line? Is he begging? Is this message contrary to the philosophy of his book Effortless Mastery, as some have said? Some of the complaints seem sour-grapey, with people saying they aren't as successful as Werner has been, so who is he to guilt his fans into buying the new CD. On the other hand, is there a curious kind of hell some artists inhabit where they are better known for their teaching than their performing? I'm thinking of Julia Cameron, author of the fabulous book The Artist's Way, which I credit for pushing me to launch my singing career after I had my first child in 2000. I was talking to my dad about this last night, and he pointed out that screenwriters such as Cameron are rarely famous. Almost certainly, one could say the same about jazz musicians!

Here's the thing. In order to sell, you must connect with consumers. Presumably, the Blue Note marketing budget for Werner's album is not enormous, although I would also presume it's a heck of a lot bigger than mine! That leaves Werner to supplement any marketing they may be doing with his own. He reaches out with a message, and indeed, the message ends up having legs, by virtue of minor controversy. You know, I hope that gives him the push he needs to make Blue Note happy. I adore the amazing improvisational album he made with Claudia Villela. I'm going to buy Lawn Chair Society.

Thursday, November 15, 2007

Miles Davis Said...

"Sometimes you have to play a long time to be able to play like yourself."

Wednesday, November 14, 2007

Thank You Johnny Conga!

Johnny Conga, of KBCS 91.3FM in Seattle, WA, has named me to his top-10 list for 2007! Considering that Mr. Conga has played with such greats as Phil Diaz, Manny Ramos, Pat Patrick, Llewellyn Matthews and Carl Witherspoon, I am honored. He's also worked with Gloria Gaynor and, I believe, Sergio Mendes. Johnny wrote to me after receiving my CD several months ago and told me I reminded him of Gracinha Leporace (singer with Brasil '77 and Sergio Mendes's wife), and that was a compliment I was quite willing to receive!
Johnny Conga's TOP TEN CDs of 2007

Grupo Latin Vibe- "Amanecer"

Alexa Weber Morales- "Wanderings"

Ray Martinez- "Alto Nivel"

Mayra Casales- "Woman on fire"

Chembo Corniel- "For the rest of your life"

Latin Giants of Jazz- "Trip to Mamboland"

Fay Roberts y Charangoa- "Charangoa vol.1

Elspeth Savani y Orch.Zarabanda- "Gallo que Canta"

Papo Vasquez- "From the Badlands"

Bobby Sanabria- "Big Band Urban Folktales".


"This was really hard considering the amount of releases this year, and the talent involved," Johnny says. He is the host and creator of "AL LADO LATINO," which airs Saturdays at 6pm Pacific and online at ww.kbcs.fm. You can check him out on MySpace: http://www.myspace.com/jcjohnnyconga

Tuesday, November 13, 2007

Fans Say the Darndest Things!

At a show the other night...

FAN: I love your dancing! Can you teach me how to dance?

ME: Sure!

FAN: I'm so glad you made us all stand up and dance at the end of the show. I felt so good!

ME: Great!

FAN: I felt so good, I just wanted to take all my clothes off!

ME: Well, I'm glad you didn't, because then you would have been ejected from the concert.

FAN: I know. That's too bad, isn't it?

ME: No, I think it's wise to keep your clothes on. Thanks for dancing! [Turning to next person] How would you like me to autograph your CD?

Monday, November 12, 2007

Play That Song of Love and Rage

This is an original I wrote from my first album, Jazzmerica (2004). It's called Play That Song of Love and Rage, and I performed it last night at the Savanna Jazz Series in Sacramento, California.


Friday, November 09, 2007

Totally Scary: PATRIOTism in Action

Watch what you say, people!

A former AT&T employee has come forward with this story, claiming that the National Security Agency set up a secret room in the telecom's San Francisco headquarters "that vacuumed up Internet and phone-call data from ordinary Americans with the cooperation of AT&T."

...the NSA built a special room to receive data streamed through an AT&T Internet room containing 'peering links,' or major connections to other telecom providers. The largest of the links delivered 2.5 gigabits of data - the equivalent of one-quarter of the Encyclopedia Britannica's text - per second, said Klein, whose documents and eyewitness account form the basis of one of the first lawsuits filed against the telecom giants after the government's warrantless-surveillance program was reported in the New York Times in December 2005.

Alexa's Tips for Musician Moms, Episode 21

Thursday, November 08, 2007

Moms in Business: The New Boom

After school today I took the boys to the bookstore for some browsing, even though I knew I'd get precious little browsing done. But I managed to grab a few books from the business shelf before being dragged to the children's section. I noticed an interesting publishing phenomenon: There is a plethora of new offerings about women and mothers in business, including (I'm not remembering the precise titles) Ladies Who Launch, Millionaire Moms, The Girls' Guide to Running Your Small Business and How to Make a Million Dollars From Your Kitchen Table While Putting Your Family and Kids First. Several are about how to be a boss without being called a bitch--always a nice skill if you can do it.

It made me realize that there are two sides to the whole "can't have it all syndrome" that affects women today. One group of mothers is bemoaning their mommy-tracked careers, realizing that their sacrifices have not resulted in a new generation of superkids who are miraculously free of problems and living life to their fullest potential. Judith Warner apparently wrote a book about this phenomenon (I read some excerpts), and these women sounded somewhat annoying, though I could relate to them. I mean, they are living in upper middle class luxury, ferrying their kids about in new SUVs, and yet they complain that they feel unfulfilled. Jeez, it's like the age of Victoria is upon us again. You are unfulfilled because taking care of children all day long is enough to drive most people nuts! You need adult companionship. You need to feed your mind. And with all the labor-saving appliances we have now, being a stay-at-home parent doesn't have to be a full-time job. I'm not saying it's easy, just that this myth of perfect motherhood in which you abandon all your own dreams while fabricating a Disney (or vegan!) cocoon for your offspring is just that: a myth. Indeed, that's what Warner's book is about, and I haven't read it, but perhaps she nails it.

That's what I found so interesting about all these books I saw on the shelf. Clearly, there is a demand from women who need money and mental stimulation, and who want to be entrepreneurs because the mommy track is simply unfulfilling at this point in history. And probably some percentage of these women have been mommy-tracked against their will; it's well documented that new fathers don't suffer from the perception that their focus is no longer fully on their career once they have kids.

Note that I'm not talking about caring for babies and toddlers. That is a full-time job. As I am doing (though I didn't with my first), I think it makes sense to dedicate most of your energy to it. As if you had a choice, ha ha! My PhD sister-in-law was complaining that a friend had had a baby and lost all interest in the outside world. "How old is the baby?" I asked. "Four months," she replied. I assured her that four months is nothing for a new mom. Give her six months to a year, at least, before you write her off as dead to the intellectual world.

But, if you have the money, get those kids socialized in day care, get to work (perhaps from the kitchen table, if the boardroom has booted you) and show them what passion and dedication are!

Corporate vs. Indie: The Greener Grass Effect

A friend who used to bitch about the massive corporation that owned her store is now bitching about the small local owners who bought the location. It's a perfect A-B scenario, because the business remains the same. Suddenly, it becomes quite apparent what a large corporation does well. In ever-so-subtle ways, the new business is rougher around the edges, despite the gorgeous architecture. Signs are missing from displays. Inventory is lost. And my friend discovers she can't use next-day shipping because it's too expensive.

Thinking about her frustration, I decided to write a list of pros and cons:

Corporate Cons:

1. Soulessness. You're a cog in the machinery. Managers look at you and see a dollar figure floating above your head, representing what you cost to them: Your salary plus 30% for benefits and taxes. They wish they didn't have to pay you that.

2. Politics. People play games with you, and you must learn to win them to get ahead.

3. Injustice. Hard work is sometimes rewarded, but due to con number 2, it is not a guarantee of success.

4. Dilbert. A certain breed of inconsequential coffee-swilling cubicle dwellers has evolved nearly infallible survival skills, meaning that outlasting you as an employee is their only professional objective. Make no mistake, they will outlast you.

5. Stress. The pressures of organizational conformity make you feel like an ant about to be crushed.

6. Bureaucracy and waste (human, financial, environmental). The effluence that is a necessary byproduct of a large corporation can be depressing to observe (or clean up).

Corporate Pros:

1. Money money money. Provided you are not a lavish spender, the amount of disposable income available in a corporation to be spent on bettering your professional outcome is huge. With seemingly inconsequential expenditures, wisely applied, you can reap success.

2. Benefits, especially medical and dental care. Insurance increasingly cannot be obtained any other way. Young, healthy people are now routinely denied private coverage (it happened to our family. Our plan is to get a corporate job if one of us gets sick).

3. Exposure to major-player business practices. Nothing beats seeing how the big guys do it. You learn a lot, and it expands your understanding of what can be done through delegation, outsourcing and internal resources.

4. Respect. Working for a corporation grants you a veneer of respectability. Note that it is only a veneer. What lies underneath is up to you.

5. Resources. Because corporations comprise multiple networked businesses and departments, you often discover services that can be had for free (or for a little quid pro quo) within your company.

6. Security. Corporations move slowly, and even if layoffs abound, getting a check on the 15th and the 30th of the month is the perk I miss most.

I'll write a similar list for indie business in another post. Gotta go pick up my son.

Toddlerhood

Funny thing about having kids five and a half years apart: I forgot a few of the hard steps between birth and age 5, namely, ages 1-4.

I forgot we were unable to go to a restaurant for three years (His best trick is a chopstick thrown to the head of the person eating at the next table).

I forgot about the climbing (Baby's favorite challenge? Dancing on top of the dining room table, perilously close to the edge or nearly reaching the hanging lamp and yanking it from the ceiling. He can get from another room to that very position in 30 seconds if the chairs are not pushed against the wall. If he has to drag a chair over, that slows him down by 30 seconds).

I forgot about the garden destruction (We have had to disassemble the bird baths because he likes to splash in them and knock them over completely).

I forgot about the tantrums (First one? At Children's Fairyland, surrounded by kid-friendly activities, because I would not allow him to play in the men's urinal).

Ah well. It's all coming back to me now...

Wednesday, November 07, 2007

On the Air in Bridgeport, CT

If you want to listen RIGHT NOW (1:10 PM Pacific time, 4:10 PM Eastern), I'm being interviewed on WPKN, which is in Bridgeport CT - 89.5 FM and Montauk NY - 88.7 FM (www.wpkn.org). They don't archive the shows, but you can stream it here!

Thanks to DJ Phil Bowler, who recently posted my album to his top-10 chart:

1. ELLA FITZGERALD Love Letters From Ella
2. ALVIN QUEEN I Ain't Looking At You
3. ALEXA WEBER MORALES Vagabundeo/Wanderings
4. JERI BROWN New Wonderland
5. MICHAEL WOLFF Jazz, Jazz, Jazz
6. MANUEL VALERA Vientos
7. PETER LEITCH Self Portrait
8. GARY SMULYAN More Treasures
9. ROBERTO FONSECA Zamazu
10. DAVID MURRAY Sacred Ground

Aquiline Disintermediation (Translation: The Eagles Go It Alone)

Now this is interesting: "The Eagles Disintermediate Major Labels" is an article that describes how the band produced their own CD and is selling it directly (and exclusively) via Wal-Mart. All downloads are through their own site, not iTunes.

The comments are funny and insightful on this post. More than a few Eagle-haters exist. There is also a mention of the download formats the Eagles offer on their website: MP3 and something called FLAC. According to http://flac.sourceforge.net,
FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio, and you can play back compressed FLAC files in your favorite player (or your car or home stereo, see supported devices) just like you would an MP3 file.

FLAC stands out as the fastest and most widely supported lossless audio codec, and the only one that at once is non-proprietary, is unencumbered by patents, has an open-source reference implementation, has a well documented format and API, and has several other independent implementations.
In other news, the word "disintermediate" (which I first heard at a drunken SoMa startup fiesta in 2000, and ranks with "impactful" as one of my peeves) is not yet dead. Darn.

Tuesday, November 06, 2007

Am I Too Flip For My Own Good?

Here's an ad I just posted on Craigslist. I hope my incredible sense of humor does not deter potential customers. We'll see.

Professional Samba and Salsa Sabor for Your Special Occasion!


If you're reading this, you probably already know: Music makes life memorable! Giving the gift of live music to your guests, colleagues or patrons sets you apart from the crowd. And hiring affordable pros rather than outsourcing to surly amateurs or gifted simians (though they are indeed our closest relatives) ensures you'll be thrilled with the sounds you hear!

Alexa Weber Morales has performed in music festivals (San Jose Jazz Festival, Sonoma Jazz+Wine), nightclubs (Jazz at Pearl's, Yoshi's), conferences, parties and boats (Hornblower Yachts). Unlike many unsavory entertainers, she has never been on the FBI's Most Wanted List. Only roses have been thrown on stage after her singing -- never tomatoes or underwear. Alexa and her band truly enjoy sharing music with appreciative audiences wherever and whenever it will enhance the occasion. Furthermore, Alexa lives life on a natural high (no meds!) and transmits that enthusiasm to events without ever losing sight of her responsibility as an entertainer.

Alexa is available for private parties, corporate events, weddings, benefits
and most celebrations that do not involve ritual sacrifice.

She can tailor the band to your event needs:
--a simple acoustic duo (piano/voice or guitar/voice),
--quartet (add bass and drums)
--quintet (add congas or background vocalist)
--or a larger band with horns and percussion section.
She also is lead singer for a 12-piece band with horns, guitar, piano and percussion,
and an unforgettable 19-piece brass band (ear protection recommended).

Enjoy her trademark mix of latin, Brazilian, original and American flavors
of jazz and funk, or request your favorite sounds.

Call Alexa at 510-532-3757 for a friendly evaluation of your musical event
planning needs. She never hesitates to recommend the right musicians
for the job if her band won't fit the bill.

Testimonials

"Alexa Weber Morales is an exceptional performer. Alexa and group have entertained our fundraising gathering for three years at the Jazzschool. The music and beautiful vocals are rousing and original. We recommend her for all types of parties and performances."
--Karen Meryash, Willard Middle School, Berkeley, Calif.

"The party on Sunday was the best party of my entire life. Thanks to you and the guitarist, it was truly memorable. The music created an atmosphere that surrounded and enriched everything else. We just loved having you here. Many thanks and we hope to see you again."
--Beth Wolinsky, Oakland, Calif.

“Alexa and her band made our wedding wonderful and gave a perfect exotic flavor. I'd use them again in a heartbeat!”
--Jennifer Gutierrez, Oakland, Calif.

“Thanks to your professionalism, generous spirit and artistry, our fundraiser surpassed our hopes!”
--Sam Meadows, San Francisco, Calif.

Alexa Weber Morales :: World/Jazz Singer-Songwriter :: TOP 20 AIRPLAY NATIONWIDE
NEW RELEASE :: VAGABUNDEO/WANDERINGS NOW ON iTUNES!

CD :: http://www.cdbaby.com/cd/alexawm2 (Vagabundeo)
CD :: http://www.cdbaby.com/cd/alexawm (Jazzmerica)
CD :: http://www.cdbaby.com/cd/waynewallace4 (lead vox tracks 1, 3, 8)
WEB :: http://www.alexawebermorales.com
BLOG :: http://www.alexawebermorales.com/blogger.html
VIDEO :: http://www.youtube.com/profile?user=awebermorales
LABEL :: http://www.patoisrecords.com
MYSPACE :: http://www.myspace.com/alexawebermorales

Saturday, November 03, 2007

It's 3:30 AM...

And both my husband and I have insomnia! He's watching an episode of Discovery en Espanol describing some big tunnel construction project in New York. I'm sitting here catching up on my blogging. By the time we fall asleep the kids will be waking...

I have a gig tomorrow. I mean today. Really would like to get some sleep. But in the interim I have to say I read some more of this "15 Minute Lunch" blogger's stuff and a couple of the posts made me laugh out loud (and wouldn't you know that he's a software developer? I can't get away from these people!). At this hour of the morning, it's making me wonder whether I should try my hand at a pure humor blog. Because I am so humorous. You know, screw the outrage, the whining and the discontent, the poorly camouflaged rants against people I do business with (just kidding, I never do that--I only rant about people I USED to do business with) and the bigots I encounter online. Just do funny stuff. Pratfalls and such. I plan to give it serious thought.

More 1970s Nostalgia

A former Software Development columnist forwarded me this hilarious link. I don't want to steal the whole blog (this is funny, so the guy deserves the traffic, right?). From the pale-green shag-rug toilet tank jacket (talk about decorating overkill) to the plethora of jumpsuits, it's proof that humanity continues to evolve. Check out this 1977 J.C. Penney catalog--you'll be glad you did.

1970s Nostalgia vs. Girls Gone Wild

I'm starting to think the New York Times' Judith Warner has some cool things to say. I really enjoyed this blog she wrote about “The Daring Book for Girls,” by Andrea J. Buchanan and Miriam Peskowitz. Apparently, a recent blockbuster was the midcentury-themed “The Dangerous Book for Boys,” (which, being a mom of two boys, I will have to look into). This is the girl's version, with an alternative, 1970s-era focus and lists of all sorts of great activities, from reading the tides to building clubhouses and forts. Warner wonders, as do I, whether this book will appeal to a broad swath of girls today or just a smattering of geeks. I don't know if I agree, but I found this interesting:

The 1970s, too, Buchanan and Peskowitz acknowledged, had their frustrations and limitations for the girls on the very cusp of social change. But the era of their girlhood, the authors believe, was, overall, less toxic.

“Girls have more opportunities now,” Peskowitz said. “But the culture is more horrid. Girls jump into womanhood at nine. It may have been more fun in some ways to have been a girl in 1963 or 1973 without the pressures.”

World Imitation Influences Reality

Laurie O'Connell, former colleague, copy editor extraordinaire, cat fancier galore, pug rescuer and all-around marvelous misfit, just alerted me to the MySpace page for her old band, Monitor, which was one of several projects produced by the mysterious art collective known only as World Imitation. You simply must go listen to these choice music samples.

Here's a bit of background by Antonio Beecroft for a forthcoming book on World Imitation. So inspiring!
http://offshape.org/HTML/endworld.html

And since MSN calls World Imitation influential, it must be true:
http://music.msn.com/artist/?artist=16216227

Friday, November 02, 2007

OpenSocial Alliance: Are You Our Friend, Or Their Friend?

Interesting news in the world of virtual friend-gathering: Yesterday, MySpace and Google announced an alliance called OpenSocial, designed to offer a set of standards for developers of applications that run on any of the many social sites. I continue to stand by buggy, slow and wacky MySpace because a) it's got the largest worldwide membership and b) it has had a strong musician/band focus since day one (and no skewing of musical genres, either, in my opinion, unlike, say, GarageBand, which skews to rock and alterna-pop). The drama is in the fact that media darling Facebook is not yet in the alliance. Facebook, which I just joined, is extremely clean. You can tell a lot of thought went into the user interface. But I haven't done enough with it to decide whether I like it.

Today, several third-party developers, such as Plaxo, announced new applications using the OpenSocial APIs. I decided to check out the API documentation on Google: Apparently, the OpenSocial API works from the client-side using the JavaScript API or the server-side using RESTful data APIs. With the JavaScript API, you can get information about people and their relationships, get updates on what they're doing and persist datafor server-free stateful apps. On the server-side, you can use the People and Friends data API to view and update profiles and friendships, obtaining lists of friends or following connections to see detailed profiles.

I've already used a few of the MySpace apps on my MySpace page (Slide.com is one). I'd love to see the JavaScript for a simple one of the these and see how manageable it is.

I do find myself wondering where the money is for some of these apps. Is it all in the ad traffic? Is that how Slide makes its money?

Thursday, November 01, 2007

Thank you New American Media, KALW and NPR!

A big thanks to Sandip Roy and the producers of Upfront, a New American Media radio show recorded at KALW studios in San Francisco. We actually taped this a few months ago, but the episode with my interview about my new CD Vagabundeo just aired October 19. The show is really interesting, with a report on how mainstream journalists are returning to ethnic media, how new immigration laws are affecting the undocumented Irish, director Ang Lee on his new movie "Lust, Caution," and concluding with a wide-ranging conversation I had with host Roy.

Click here to go to the New American Media page.