Friday, May 29, 2009

Farewell to TYT; Tomorrow Night in Jack London Square



Wow, has the first half of 2009 gone by quickly or what? Whether you've been barely surviving or joyously thriving (I've done a little of both), I hope you're learning new tricks and really seeing the glory that is all around you.

We had a lot of fun opening for Average White Band at the Castroville Artichoke Festival. Who knew that AWB was British? I liked the samba feel that ran beneath many of their funky new tunes. They also clearly had a more comprehensive show rider than we did -- we had a little awning over a patch of dirt, they had an air-conditioned tent with catered food, coffee and alcohol. I snuck in and got me a little mug of that stuff I can't resist ... coffee. It may be 3 pm on a dusty hot day dancing among hay bales in front of a giant festival stage, but show me a tureen of coffee and I have the same reaction many do when they see an ice-cold beer: I didn't realize I wanted coffee, but now that you mention it...

Also, I love me a big giant stage that I can boogie across for miles, and that's exactly what I and my fellow singers (Terrie Odabi and Keith Hames) did. In retrospect, this has turned out to be an important gig for us, because after nine years, Keith has announced he's shutting down his San Jose-based funk band TYT and going on to new things.

I've been playing with them since late 2007, and we've had a lot of glamorous (matching Dream Girls dresses) and memorable (wedding with all-you-can-eat-oysters and a pool with an artificial beach and waterfall) and sometimes downright bizarre gigs (a meeting of dog trainers, performing in front of a giant backdrop that read "The Nutritional Concerns of Breeding Bitches"). We have one more gig together at the Monterey Blues Festival. If you're in town, be sure to check out the soulful, good-natured sound of Mr. Hames.

Closer to home, I'm playing solo piano/voice tomorrow night at La Furia Chalaca, a Peruvian seafood restaurant on the corner of Broadway and 4th in Oakland, in Jack London Square. Come on down!

Thursday, May 28, 2009

Keeping Up Appearances


I have a lot of sadly funny little gig stories, stories I am often afraid to share because I figure it both shows what a small shot I am and potentially burns a bridge with some crappy, abusive venue, booker or audience I might need to re-woo in the future. On the other hand, despite being a relatively unimportant musician, I know for a fact that even rather important musicians do bad gigs with astonishing frequency. One day it's Carnegie Hall, next it's an Elk's Lodge, next it's a funeral, next it's a world tour with an egomaniac who stiffs you on the last month's pay, next it's a cavernous auto dealership without air conditioning and a single customer wearing prominent hearing aids.

On some level, if I ever do get a bit more successful, all my stories will add up to your usual struggle to "make it" -- and by "make it" I merely mean make as much money musically as I did as a magazine editor.

But I do find so much joy being on stage that it usually wipes out the negatives, at least temporarily. And when you overcome a particular challenge -- sound being run by crack-addicted chimps, or surly transvestite audience members, or a passive-aggressive pianist -- during the gig, you feel triumphant. It's those times you had 'em in the palm of your hand but then lost 'em that hurts more, I think.

The more you play, however, the more you put the bad behind you and realize that most gigs won't be great, or even very good. I recently read something in runner's world: The more you race, the less emotionally fraught each race becomes. That echoes what a music teacher once said to me: The more you gig, the less potentially traumatic each gig becomes. The bad stuff gets filed in your litany of bad gig situations. Musicians love to share their horror stories (see "Bad Gigs" by Tuck Andress).

Then there are audiences. We play to ethnic groups of all kinds. You never know when you might make some politically incorrect blunder, such as asking a Mormon about his secret garment or offering pork jerkey to a Nation of Islam adherent. Some audiences are prim. Others are wild, drunk, drugged, demanding -- you name it. "Tough crowd," really does sum it up sometimes. Maybe Miles Davis was on to something, playing with his back to the audience.

Case in point: Recently I played latin jazz for a Peruvian event which involved the national masters soccer team, in town for a tournament. While the show wasn't awful, it was a case of being told one thing but finding the reality of the gig to be quite different. I had not come prepared to do a salsa show, and had been contracted to do background latin jazz. We did our first set and received polite applause. I stepped off stage and was introduced to the various soccer players, all in their matching track suits. One of them looked at me with a hungry gleam in his eye. I figured this wasn't a lost cause.

We began the second set, and things got a little harder. After a few songs, someone yelled "Queremos salsa!" from the bar. Another singer was present, and he got up to pinch hit some old salsa favorites. Good naturedly, I announced before getting off stage that I'd love to dance with someone. I stepped down and swayed expectantly. No one approached. A nice looking guy sauntered by me; suavely, I caught his eye. "Want to dance?" I murmured in Spanish. "No, I'm working," he replied, scurrying away like a crab.

In a move that probably looked exactly like my tipsy mother working a cocktail party, I sashayed towards the event host, who had flirted with me earlier. "Care to dance?" I asked. He, too, had demanded salsa. Now no one was dancing. He looked at me, then looked at the retired soccer players sitting nearby on barstools. "Does anyone want to dance with her?" he asked. I felt like a defective mail-order bride. The man who had surveyed me favorably earlier glared at me with what now seemed like unadulterated malevolence. He remained silent. After an awkward pause, the host began to dance with me until the song ended.

Despite the interruptions, we played a few more songs, until I was asked to let a young man get up and rap to some tracks he had. In hindsight, I should have said, sure, we'll play our last song and then he can get onstage. Instead, ever accommodating, I relinquished the stage without so much as a goodbye.

The rapper was good, but once he had the mic in hand he became drunk with power. Two songs, then three went by. I didn't mind the break, but I began to realize that this had not ended well -- and it's nice to end a gig well. Leave 'em wanting more, but at least make it clear that you finished on your own terms, with a crowd-pleaser. By the time the rapper was done -- six tracks later -- my band mates were done as well. Unfortunately there was no rousing closer -- nor, really, could there have been a good way to follow the rapper's energetic, patriotic set, which was faithfully documented by his buddy on video camera and involved artful draping of the Peruvian flag.

As I loaded my gear out, the sound man approached me and mentioned an interest in having me sing on some hip hop tracks. I told him my fee. He smiled and sipped a beer as we spoke. He also frequently rested his eyes on my chest, leading me to wonder if the recording project was indeed his primary motivation for chit-chat. On the way home I shared a postmortem with my percussionist and thought about lessons learned.

But I want to end this post with a bang, not a whimper -- and make it clear that I'm not complaining, truly I'm not. Would I do it all over again? Absolutely! Viva Peru!

Wednesday, May 27, 2009

The Male Mind: More Insight From My Bro


ME: So how is [rapper we know] doing?

BRO: Ah, you know, he spends all his time checking his MySpace, corresponding with girls who send him pictures of their vaginas.

ME: Ha ha! Oh, that reminds me of a song I wanted to write. I was going to ask you for some advice on it.

BRO: If "pictures of vaginas" just reminded you of the song, I can pretty much guarantee you shouldn't write it.

ME: Wait, wait, let me remember the idea. Oh yeah, you know how you say "Let me be your baby?" when you're in love?

BRO: "Let me be your baby?" No, you mean when you're a baby?

ME: No, you know, "I wanna be your baby."

BRO: Who says that?

ME: Lovers, don't they?

BRO: I don't think so.

ME: Baby this, baby that, you know. Anyway, the song was going to play on it, "Let me be your fetus, I want to be a cute little zygote."

BRO: [silence]

ME: "Feed me, IV me."

BRO: "IV me?"

ME: Yeah, stick an IV in me.

BRO: Not a good song.

ME: I was trying to be over the top, you know, make fun of how we infantilize ourselves when we are in love. That and all these bizarre fetishes that are out there.

BRO: Speaking of pictures of vaginas, did you know no guy can resist taking a picture of his johnson?

ME: What? I guess we are done talking about my song.

BRO: Forget the song. I'm talking about something that separates women and men. For men, it is an irresistable urge that cannot be denied.

ME: Have you done this recently? What does your wife think?

BRO: It's been a while. But if a man sees a camera lying around, he must pick it up and take a picture of his penis with it, for the other person to find.

ME: Oh, you mean someone ELSE's camera. Like a random person? Have you done this?

BRO: All men do it. It's innate. I mean, I haven't corroborated this with any other man that I know but I'm pretty sure that it's universal.

ME: I did not know that.

BRO: Ask your husband.

ME: I'm pretty sure he's never done that, but sure, I will. Thanks for the info, bro.

BRO: That's what I'm here for.

Wednesday, May 20, 2009

Last-Minute Gig Tonight at Club Anton, Jack London Square

This gig just came in, but I'm looking forward to it -- I enjoy playing with these musicians so much. Joining me from 6 to 9 pm tonight at Club Anton (428 3rd Street @ Broadway), are 2008 Grammy-nominee Omar Ledezma on percussion/vox, Jonathan Alford (Avance, Machete) on keys and David Pinto (musical director, Susana Baca) on bass! Club Anton is a recently remodeled addition to Oakland's Jack London Square, owned by former Peruvian soccer pro Carlos Anton. I went there earlier this year to see Cuban salsa vocalist Pepito Gomez and had the time of my life.

I believe the cost is $5, but I could be wrong. I also believe it's a fundraiser for the Peruvian national soccer team (seleccion nacional peruana), but I could be wrong about that too. One thing I know, we will be playing a nice mix of latin jazz, Brazilian, salsa and originals!

Club Anton
428 3rd Street @ Broadway
Oakland, CA 94607
510.463.0165
http://www.clubanton.com
Price: $5

Monday, May 18, 2009

Alexa's Tips for Multitasking Musician Moms: Management Team

This YouTube video shows how I have assembled the finest management team in music history: A pair of bright young guns who are hungry for success and won't take no for an answer (is that ever true!). I owe it all to them, breaking down doors, defending my honor, stashing my earnings in places I'll never find, twisting bookers' arms and -- if that doesn't work -- pooping on their lawns.

Friday, May 15, 2009

Men vs. Women and Their Little Goals

BRO: So what’s new?

ME: Nothing much. Where are you?

BRO: I’m in WalMart, buying a baby trailer for the bike.

ME: Oh, well, don’t talk to me while you’re doing that, it’s rude.

BRO: It’s OK, I have my in-ear on.

ME: It’s still rude.

BRO: No, I just look like a crazy person gesticulating to myself.

ME: Fine.

BRO: Anything new?

ME: Well, I just finished the triathlon.

BRO: Oh. [pause] How’d that go?

ME: Pretty good. But it was hard. Next time I need to push a little more on the training.

BRO: You know, that endurance stuff doesn’t appeal to me.

ME: It doesn’t have to.

BRO: I mean, I’m going to run a marathon, but I don’t like triathlons.

ME: Oh you are, are you?

BRO: Yes. I owe it to myself to finish a marathon, since I crapped out when I trained with you.

ME: You know, that time you got lost in the woods and I had to call Park Headquarters for a search party, you did end up running more than 26 miles, I'm sure.

BRO: Yeah, I know. Anyway, I don't like triathlons.

ME: Well, that’s how I feel now about the half-Ironman distance. Although I could change my mind. But being out on the course for 8 hours just doesn’t appeal to me.

BRO: Have you watched the Ironman recently? My buddy and I have watched that for years. It’s in Hawaii, in the triple-digit heat, with no wind? No thanks.

ME: Yeah, and basically more than 15 hours for an amateur athlete to complete.

BRO: We used to say we were going to do that someday.

ME: Yeah right. Men are so ridiculous. You say you’re going to do an Ironman someday, while sitting in a pile of empties, eating pork rinds and smoking a cigarette.

BRO: I don’t smoke.

ME: The point is, men are ridiculous.

BRO: Men like to puff themselves up. We like to say extreme things. You women have your little goals, and then you go along checking them off one by –

ME: They’re not so little, bro.

BRO: Yeah, whatever. Men tell everyone, “I’m gonna make a million dollars by age 30.” And then they go to their job at 7-11 and forget to buy a lottery ticket. ’Cause that’s how men roll.

Monday, May 11, 2009

In Which Alexa Finally Blogs About the Triathlon

Yes, I did it! I raised over my fundraising goal -- $2600 total -- and completed my second annual Olympic-distance triathlon with Team in Training. This all happened May 3. It's now May 11. Frankly, that's not a bad delay. Somehow it feels like an eternity has passed since the race. I have been going through my usual "now what?" phase in which instead of congratulating myself on completing what I set out to do I immediately begin thinking about what I should do next and how far behind I am on whatever it is. Although there has been a considerable amount of resting going on too, while I exercise my cranial worry and self-instrospection muscles.

The whole reason I decided to do Team in Training again after last year's great experience was because a nice woman/motivational speaker in my running group convinced me too. She told me I should join up despite the economy and my rocky finances, because fundraising was a form of "acting in abundance." Bless her soul, she quit the group after a few weeks (I still like you, if you're reading this), so for a while I was fond of saying she tricked me into joining.

Ultimately, I did raise the money, though it was harder this year and I had to make a large charge on my American Express to cover my minimum goal before all the donations came in. That charge will theoretically be reimbursed to me in a few weeks, which is a good thing as I don't have any money with which to pay the stupid AmEx bill.

We packed the family up and got down to Lake San Antonio (3.5 hours south of the Bay Area) Friday around noon -- much earlier than last year. The kids were excited. We pitched our tent as far away from my team as possible. I didn't want to make enemies with the loud kids and snoring we have going on. Then I rode my bike down to the lake and did our coach's designated workout with the group: 20 minutes swimming on the course in the wetsuit, followed by a bike ride back up steep Lynch Hill (about a mile) and a 10 minute run.

The next day, coach wanted us to do a 20-minute run. I did that too, although I worried it might be too much. I told an athlete on another team what he had us do. "What, does he have you running repeats on Lynch Hill?" he asked sarcastically. Last year, I rested for two days before the race. This year, I exercised, although admittedly it wasn't much.

Also, my husband wasn't too happy to be there. Basically, I was dealing with three kids, not two. I've been married a long time, however, so it's not the first time nor will it be the last that my spouse and I aren't in sync. And I know, I am not blameless when it comes to our relationship. But I slept OK, surprisingly. Woke up a bit sore. Packed up and got down to the race area. The previous day I had watched the elites as they did their transitions, and that proved quite helpful. I set myself up. Started feeling incredibly nervous. Over and over, I worried that I hadn't trained hard enough this year. Also, my quads felt a bit sore. I don't feel sore that often these days. Not a good sign.

The race began with the college men and then women. It's so exciting to watch them take off, swimming out in an inverted V with the leader closely followed by her rivals. Then at the very back are the stragglers. There's always one who looks like he or she didn't prepare, or perhaps has never learned to swim. I'm not sure what that's about. Do they complete the swim course, or just dog paddle back to shore? Meanwhile, the top competitors finish the 0.9 mile swim in 17 minutes or so (23 or so for women).

This year, I was starting an hour earlier than last year, as I'd managed to get into the first TNT women's wave, which also included women under 24 years old. I was happy to be with younger, more competitive people, as I hoped it would give me an edge in the run by inspiring me to work harder than last year's walkers and kibbutzers. The downside was I knew no one in my starting wave.

We pulled up to the start and warmed up in the water for five minutes. I felt great -- my wetsuit was really loose around my neck and shoulders. The water temperature was in the high 60s. Warmup ended, we stood at the starting line -- I stood in the back, on the inside "lane" -- and the starting horn went off. We jumped in. To my surprise, I did not get winded in the first five minutes. In fact, I never felt the struggle of "going aerobic" as I did last year.

I stroked out, quickly finding my rhythm, and pretended I was Michael Phelps. Rounding the first buoy, I began the straightaway. I was still with other swimmers -- this too was different from last year, when I found myself alone almost immediately as all the other swimmers passed me. I was absolutely enjoying myself. There is no feeling I like better than being in the middle of a giant lake, swimming. Eventually, to my surprise, I felt less splashing around me and thought, "great, it's opening up, and I'm passing some swimmers." After a minute or three I looked up and realized that I had swum out into the middle of the buoys, off course. I had to take a diagonal course back to rejoin the other swimmers. I wondered how much time that had cost me. As I rounded the second buoy, beginning my return journey, my watch read 20 minutes. I began thinking that I should not get upset if I didn't beat last year's time -- there was a whole race to do, and this was just the first part. Sure enough, when I finally stood up on shore, I saw that I had swum one minute slower than last year -- although I felt a million times better. Then I began running up the hill, yanking off my wetsuit. My legs felt like jelly.

After a quick transition to the bike, I took it easy on the first hill. The ride is so gorgeous. I was digging being out there with faster bikers, and glued myself to a woman 10 years younger than me (everyone's age is marked on their left calf). She passed me on the uphills, I passed her on the downhills. I clocked myself at 38 miles per hour -- my fastest ever -- going downhill. At the 13-mile halfway point I wasn't sure how well I was doing. But then three-quarters of the way, I began envisioning myself running across the finish line, ecstatic because I had come in five or 10 minutes faster than last year. I had to snap myself out of it: "Come on Alexa, it's not time to celebrate yet -- the race isn't over till it's over."

At the top of the hill, just before the mile down Lynch Road, I had a broad smile. I was so happy to be done with the bike. Again, I felt great. I knew I was within a minute of last year's time. Spectators yelled out "Great smile!" I love the spectators. I flew down the hill and did my fastest transition yet, thanks to observing the elites: 1:40 to change shoes and grab my hat, number and water bottle. I began running. My water bottle was hot. I ate a Cliff Shot, swigged water -- then tossed it away, even though the bottle cost $14. It has a giant red cow's nipple made out of some strange rubber, though, which I and my husband have never liked, so I figured I'd get a new one.

Now things got ugly. My vastus medialis, a little muscle on the inside leg above the knee, began to cramp on both legs. I'd only run a mile of the 10K course. Last year I started to cramp on the last hill. Now I was cramping at the outset. I stretched and swore loudly like a sailor, causing several people to turn and look at me. I ran, walked, ran, shuffled, drank electrolytes, stretched. I knew my run was going to go badly. But after another mile it was clear that walking was worse, as it seemed to make me overstride and cramp more. So I stuck with the shuffle.

The good thing about the run was this: Mentally, aside from the cramp, I was much more focused. I think all the running I've done in the last year has helped in this respect. In the end, I made it to the last hill. They called my name as I crossed the mat at the top of the hill -- "Alexa Morales, from Oakland" -- and I picked up my speed. I pushed myself down the hill, passing five or more runners. A woman in front of me was a bounder, and I couldn't catch her. The finish chute seemed to go on forever. I reached out for high-fives to keep myself motivated and slapped hands almost all the way. I crossed the line, held my hands high in victory, then stopped. I felt totally overwhelmed. My family was nowhere to be seen. Another athlete I knew gave me a hug.

I wandered to the TNT booth, checked in and got my finisher's pin, then saw the medical tent. I started crying behind my sunglasses. There were strawberries on the ground outside the med tent, and I remembered there were more inside. I went in. Strawberries were gone, but there were bananas. I picked one up and asked for ice. They brought me two packs for my cramping muscles. I sat there feeling sorry for myself. I had finished in 3:33, two minutes slower than last year. But then I looked over and saw one of our young runners being rehydrated via IV, crying. Another guy was on a respirator. Things could be way worse, I thought. Our TNT manager came over and patted me on the head, which nearly caused me to lose it. A gesture like that sometimes touches me so much.

After a few minutes, I felt better. A man sitting next to me suggested some exercises to strengthen that pesky vastus muscle. Eventually I left the tent, spent an hour unsuccessfully locating my family, packed up my transition area and rode the shuttle back up the hill. My husband and boys were sitting in the car, waiting for me. They'd been there for hours and were none too happy about it. I quickly changed clothes and we joined the massive traffic jam to leave the park. All I could think of was In-n-Out Burger in Salinas. After a half hour, my husband asked how the race had gone, and I started babbling about the entire experience.

We drove past scenery that was breathtakingly green, with painterly clouds and folded hills everywhere. The odyssey was over! The burger joint was packed in Salinas, but worth the wait. Several hours later, we arrived home and were surprised at how much we felt like we'd been on a long vacation.

I can't wait to do it all again.

Thursday, May 07, 2009

Some Truths

Random observations:

People who are critical of others will probably eventually be critical of you.

You can't avoid everyone you might ever disagree with. How do you know the warning signs for a relationship that's going to get really toxic?

You can't negotiate with someone if you have everything to lose and they have nothing.

Corollary: In a partnership you must have near equal risk or one of you can screw the other too easily.

When someone complains about a problem they always have with others, they are probably going to eventually have that problem with you.

Is it worth it to see if you can work around that inevitable fact?

If you think the worst will happen, that in itself doesn't mean the worst will happen. However, if the worst does happen, you won't feel better that you predicted it.

The first 25 years are the hardest. In any endeavor.

How do you know when to quit?

Some people will risk everything they have for something they can't have.

This one is from my 8-year-old son, today: Nothing is truly free, and everything dies or crumbles, even bridges.

Niiiiiice.